The Bride
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| © MOD Crown copyright 2018 |
Princess Eugenie revealed in a pre-wedding interview that she was using a British-based designer for her wedding gown. British-
based rather than just
British set off a guessing game that was heavy on Erdem and very light on the actual correct answer: Peter Pilotto and Christopher De Vos, founders of the British-based label Peter Pilotto. (Pilotto is Austrian and Italian; De Vos is Belgian and Peruvian.)
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I associate Peter Pilotto with innovative use of prints in intriguing silhouettes, something brought to life in royal wedding gown format through complicated construction and a custom jacquard fabric. The fabric was designed by Pilotto and De Vos to include several meaningful motifs: thistles for Scotland because the couple is fond of Balmoral, shamrocks for Ireland as a nod to the Ferguson family, York roses, and ivy since the couple live in Ivy Cottage at Kensington Palace. Those symbols were crafted into “a garland of rope like motifs, woven into a jacquard of silk, cotton and viscose blend.” The design was then translated into a jacquard weave in Italy.
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| © MOD Crown copyright 2018 |
The silhouette was identified after the designers researched previous dresses worn by members of the royal family, with close involvement from Princess Eugenie. The dress is constructed in multiple layers, including a corset, a complex underskirt, a fitted bodice, and a full pleated skirt.
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| © MOD Crown copyright 2018 |
The neckline folds around the shoulders and dips into a low back. Eugenie specifically requested a low back because she wanted the scar from her scoliosis surgery at age 12 to be on full display. "I think you can change the way beauty is, and you can show people your scars and I think it's really special to stand up for that," she said in an interview before the wedding. She’s been very open about her battle with scoliosis; she’s patron of the hospital where she had her surgery. It’s a powerful statement. Quite a beautiful one as well.
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She went without a veil; a veil would have covered up the scar – and probably would have turned into a logistical nightmare, given the wind was snatching hats left and right today. The veil-free choice was all the better to display the best part of the gown: the full-length train. The back view was simply stunning, perfect for standing at the altar and walking down an aisle as grand as St. George’s Chapel. I didn’t love the neckline, but whatever it took to get to that low back is worth it.
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The wedding was the first time we’ve seen Princess Eugenie in a tiara and she certainly made a splash: the Greville Emerald Kokoshnik Tiara was a mystery before the wedding and hadn’t been previously worn by a member of the royal family.
We’ve covered it in depth here. She paired the tiara with diamond and emerald earrings which were a gift from her new husband. Her wedding shoes were satin peep-toe heels by Charlotte Olympia.
The bouquet was created by Patrice Van Helden Oakes, sister of Rob Van Helden, the main floral designer for the wedding. It included Lily of the Valley, Stephanotis pips, hints of baby blue thistles, white spray roses and trailing ivy, in addition to the traditional sprigs of myrtle from Osbourne House. That tradition goes back to Queen Victoria.
Blue and green were the big colors in this wedding, something emphasized by the outfits of the bridesmaids and page boys. These were designed by Amaia Arrieta of Amaia Kids. The colorful sashes around their waists are patterned with the same Mark Bradford artwork included in the Order of Service. A playful detail in action that I assume is also of some meaning to the couple.
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Lady Louise Mountbatten-Windsor was a special attendant in the bridal party, a.k.a. the designated wrangler of all the young ones. Unfortunately it's a bit difficult to find a decent pic of her (at the time I'm writing this), but she hit a nice note between grown up guest and color-coordinated bridal party member with her Claudie Pierlot dress Emily London hat.
The Maid of Honor and Mother of the Bride  |
| © MOD Crown copyright 2018 |
Princess Beatrice was named Maid of Honor. Rather than the position of train-wrangler in a matching gown you might have expected, it seems to have been more of a special designation for someone close to the bride. Beatrice wore a royal blue outfit from Ralph and Russo and a hat by Sarah Cant, plus a diamond buggy brooch on her side. Can we get MORE RALPH AND RUSSO for her, uh, right now?! She looked very sharp indeed.
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Sarah, Duchess of York was also quite sharp, I thought, in her green outfit by Emma Louise Design and a statement hat from Jess Collett Hats. She also had a meaningful touch in her outfit: her vintage Manolo Blahnik bag was carried by her own mother, the late Susan Barrantes, at Sarah and Andrew’s wedding in 1986. Sweet touches all over, just how it should be.
