Royal Fashion Awards: Princess Adrienne’s Christening (Updated)

Princess Madeleine and Chris O’Neill celebrated their fifth wedding anniversary today by christening their third child, Princess Adrienne. Check out our open post here, with a link to watch the service.

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Princess Adrienne wore the royal christening gown we’ve seen several times in the past century, especially in the past few years. The heirloom details, from the royal court:

The christening gown worn by Princess Adrienne during the ceremony was first worn by Prince Gustaf Adolf when he was christened in 1906. The gown was also worn by Gustaf Adolf's siblings (Sigvard, Queen Ingrid, Prince Bertil and Carl Johan) and by Prince Gustaf Adolf and Princess Sibylla's children, namely the Princesses Margaretha, Birgitta, Desirée and Christina, as well as The King.

The gown was also worn by Crown Princess Victoria, Prince Carl Philip, Princess Madeleine, Princess Estelle, Princess Leonore, Prince Nicolas, Prince Oscar, Prins Alexander and Prince Gabriel.

At the christening of Princess Margaretha in 1935, a cape and a cap made from cream-coloured silk satin were added. The names and dates of all the children christened have been embroidered in the lining of the cape.

The christening gown is made of cotton batiste and Valenciennes lace (bobbin lace) with a petticoat of satin woven silk. The gown has lace linings around the armholes. The gown is accompanied by a bodice of Valenciennes lace.

The christening gown also has a christening towel made of cotton batiste with Valenciennes lace.

Wee Adrienne grabbed right on to her baby sash of the Order of the Seraphim as soon as King Grandpa tucked it into place, because she knows what’s up.

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The rest of the family presented a united front with a gentle color scheme and a trio of floral frocks – all right on season and right on trend. Let’s hand out our awards:

Best in Floral and Best in Jewel Debuts

Princess Madeleine

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I had no expectations of any major jewel debuts from a christening, which made this even better: Princess Madeleine wore pieces of the Cameo Parure for the first time today! She used the bracelet and the earrings. As a card-carrying member of the Cameo Tiara Fan Club, I now have my fingers crossed for more, because that what’s happens when you give me a little bit. Madeleine and the royal ladies wore their portrait brooches of the King, as usual.

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The cameo pieces were perfect complements to the cream and gentle pinks of her floral dress by Giambattista Valli (h/t to Heaven). To my surprise, I even enjoyed the touch of flower power in her floral headband...or maybe that's just a little bit of carryover from my cameo delight.

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Princess Leonore joined the floral dress brigade led by her mother. She chose to de-accessorize by taking off her shoes. The Swedes let the kids be kids at these events (bless ‘em for allowing the antics), so go ahead and get comfy, girl. Leonore was without a partner in crime today; Princess Estelle was sick at the last minute and could not attend.

Runner Up in Florals

Princess Sofia

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My second favorite floral dress of the day belonged to Princess Sofia, interpreting the day’s pink color scheme in a bolder and sleeker fashion with this Ida Lanto dress. Little wrinkled after sitting through the service, but eh, that's life.

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If I quibble (and I will), I would have loved to see some more colorful accessories beyond the purse and perhaps more of an actual hat. A big ask of any Swedish royal lady at these events, I know.

Most at Home on the Prairie

Crown Princess Victoria

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Crown Princess Victoria could have used a dose of Sofia’s color contrast; on the broadcast especially, the colors in her dress blended together to muddy effect. It’s the only dress here that’s gonna make me say it: too Little House on the Prairie. (Only one prairie reference in a post full of florals, such restraint! Way to go, me.)

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I didn’t really understand her hat pairing, either; then again, I don’t understand her affection for these pile of embroidery hoop hats to start with. This is another version of the hat type she wore to Princess Leonore’s christening, at the time a nod to the headpiece Queen Silvia wore to Prince Carl Philip’s baptism (not the same hat, however).

Best in Standards

Queen Silvia
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As for Queen Silvia herself, well, she did her Silvia thing, and this faux wrap dress detail looks fantastic on her. Both grandmothers were operating at peak elegance. (Splendid brooch on Mrs. O'Neill, by the way.)

Best in Hat Sculpture

Princess Christina

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All four of King Carl Gustaf’s sisters were present at the christening; above from left to right behind the King and Queen, Princess Margaretha, Princess Birgitta, Princess Désirée, and Princess Christina. Only Princess Christina hatted up. (Lots of ladies didn’t and that’s par for the course at these events.) When Princess Christina hats up, she tends to hat up; this was sparkly and possibly capable of flight and I loved it. She had to make up for her sisters, after all. One hat to cover them all.

Who takes home your fashion awards for today’s christening?

 

UPDATE: The beautiful official photographs have been released. It's impressive, how they can always find the perfect corner of the palace to match their outfits. [All: Erika Gerdemark, Kungahuset.se]

 

June 08, 2018

Royal Jewels of the Day: The Fife Tiaras at Kensington Palace

We updated the status of the Fife Tiara back in January here, after news broke in 2017 that the tiara had been given to the U.K. government in lieu of inheritance tax and was scheduled to be displayed at Kensington Palace. That display - part of the reopened Victoria Revealed exhibition - opens today (March 30) and includes not just the big diamond Fife Tiara but two other Fife family tiaras. And, well:

BE STILL MY HEART. You can check out our entry on the Fife Tiara's history here.

Historic Royal Palaces. Click to enlarge.

Here's what the exhibition press release has to say about it:

"The majestic Fife tiara, given to Queen Victoria’s granddaughter Princess Louise on her wedding day, is today considered one of the finest works produced by celebrated Parisian jeweller Oscar Massin, and represents the very zenith of tiara design. A gift from Louise’s husband the Duke of Fife, it comprises hundreds of diamonds ranging in weight from one to ten carats, and features a spectacular row of pear shaped ‘swing set’ diamonds, which would have dazzled onlookers when worn."

We also now have an opportunity to see those diamonds move:

But wait, there's more! As was also previously announced, the Fife estate has loaned Queen Victoria's Emerald and Diamond Tiara to the Victoria Revealed exhibit - plus its accompanying parure of a necklace, earrings, and brooch!

Historic Royal Palaces. Click to enlarge.

Historic Royal Palaces. Click to enlarge.

You can check out our last entry on the tiara here. And this is what the exhibition has to say:

"Comprising a magnificent diamond and emerald diadem, emerald necklace, earrings and brooch, this parure – or matching suite of jewels – showcases both the exquisite workmanship of nineteenth century goldsmiths, and Prince Albert’s own flair for design. Albert was fascinated by jewellery, and personally designed this dazzling headpiece for his wife. Created by the Queen’s Jeweller, Joseph Kitching, the tiara is set with cushion-shaped diamonds and step-cut emeralds, and surmounted by a graduated row of 19 inverted pear-shaped emeralds, the largest of which weighs an astonishing 15 carats. As a testament to Albert’s own creative talents, the pieces he designed for Victoria now constitute the only known examples of a tiara design by a consort for his Queen. Victoria, clearly delighted with the gift, wrote in her journal of her husband’s ‘wonderful taste’, and her delight at wearing this ‘lovely Diadem of diamonds and emeralds designed by my beloved Albert’.

Presented to Victoria in 1845, the tiara provided both the centrepiece and finishing touch to an existing emerald suite. It was created to complement a necklace formed of 9 oval emerald clusters, each set within a border of cushion-shaped diamonds, its accompanying pendant earrings and an impressive 20ct emerald and diamond brooch, all of which were gifts from Albert, and also go on display at Kensington Palace. Victoria would select these gems for Franz Xavier Winterhalter’s intimate 1846 painting of the royal family, for her son Prince Alfred’s christening (when she paired them with the lace from her wedding dress) and again for a striking Winterhalter portrait of 1859, which depicts the pieces in stunning detail."

A little glimpse of this tiara's sparkle, from The Jewellery Editor:

The way the light shines through those emeralds is absolutely magnificent.

And there's still more!

Historic Royal Palaces. Click to enlarge.

You can also see a classic diamond fringe from the Fife family, another piece that belonged to Princess Louise and was a gift from her parents on her marriage. Here's the press release description:

"Another of Louise’s jewels, a remarkable kokoshnik style tiara with graduated pavé-set rays of diamonds in white and yellow gold, takes inspiration from the cockscomb style headdresses of the Romanov court, and reflects the familial web created by Queen Victoria’s descendants throughout Europe; Louise could count the Emperor and Empress of Russia as cousins, while among her aunts were both the Dowager Empress and a Grand Duchess. A gift from her parents the Prince and Princess of Wales (later King Edward VII and Queen Alexandra), its clever construction means it could be worn as a tiara or converted into a necklace, and it became one of Louise’s favourite pieces of jewellery."

Princess Louise wears the fringe tiara

Both the fringe and the emerald tiara are on long-term loan from the estate of the 3rd Duke of Fife. Victoria Revealed runs at Kensington Palace throughout 2018.

March 30, 2018